Satan & Adam

One day, in the 1980s, a young white man, badly bruised by a failed affair of the heart, finds himself in Harlem and stops to listen to a street musician playing the blues. Nervous that he is the sole white face to be seen in any direction but compelled by the force of the street performer’s music, he asks if he can play along on his harmonica. Thus is born a most unlikely but enduring partnership. No less unlikely, the almost inconceivable course of that partnership’s trajectory is tracked by the filmmakers through its entire 22-year history.